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Personal details of Actor Kasinathuni Viswanath

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Name: Kasinathuni Viswanath
DOB: February 19,1930
Birth Place: Repalle,Andhra Pradesh, India
Released Movies:
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No of Movies: 6

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Sangamithra 14-Jan-2018
Kolaiyuthir Kaalam 29-Dec-2017
1818 08-Dec-2017
8 Thottakkal 01-Dec-2017
Oru Mugathirai 28-Nov-2017

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Other Works:

Became a thorough professional with the movie Uttama Villain(2002).


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Full Biography of Actor Kasinathuni Viswanath

Kasinathuni Viswanath is an Indian film, sound designer turned director and actor known for his works in Telugu Cinema. He is the recipient of five National Film Awards, five Nandi Awards, ten Filmfare Awards South, and a Bollywood Filmfare Award. Viswanath\'s Hindi films include Sargam, Kaamchor, Sanjog, Jaag Utha Insan, Eeshwar, Sur Sangam, Shubh Kaamna, Sangeet and Dhanwaan.

Viswanath\'s classical films Sankarabharanam (1979) and Sagara Sangamam (1983) were included among CNN-IBN\'s list of hundred greatest Indian films of all time.His directorial works Sankarabharanam and Saptapadi, have garnered the National Film Award for Best Popular Film Providing Wholesome Entertainment and Best Feature Film on National Integration, respectively.

Sankarabharanam, has won the Prize of the Public at the Besancon Film Festival of France in the year 1981.Viswanath\'s Swati Mutyam was India\'s official entry to the 59th Academy Awards. Swayam Krushi was screened to special mention at the Moscow International Film Festival.[5 Sankarabharanam, Sagara Sangamam, Shrutilayalu, Swarnakamalam and Swati Kiranam were premiered in the Indian Panorama section at International Film Festival of India, and AISFM Film Festival.

Viswanath was born on 19 Feb 1930 to Sri Kasinadhuni Subrahmanyam and Smt Kasinadhuni Saraswatamma in a Telugu speaking family. His ancestral roots come from Pedapulivarru, a small village on the banks of River Krishna.

Viswanath is married to Jaya Lakshmi and has three children: Padmavati, Nagendranath and Ravindranath. He speaks fluent Telugu, Tamil, and English. He has four grand children- Naren, Pranav, Swarna and Hema. None of his children have ventured into the film industry but have chosen other careers.
Early life and career

Viswanath began his career as a technician in a studio at Chennai and later assisted Adurthi Subba Rao in direction. He also worked as an assistant to director Ramnoth. He wished to work as an assistant to K. Balachander and Bapu. He debuted as a director with Aatma Gowravam, which starred Akkineni Nageswara Rao and won the Nandi Award for Best Feature Film of the year. These were followed by Chelleli Kapuram, Sarada, O Seeta Katha and Jeevana Jyoti which are powerful films centered around women.

It was in Siri Siri Muvva that the famed artistic touch of K. Viswanath first became visible to the people. This was followed by a series of films based on the themes of art, music and dance. Some of his later films discussed issues of social concern while others presented simple morals and facts of life to the common man in a palatable form.

His one of the career best (hard to pick as he is a perfectionist) \'Sankarabharanam shows the negligence of traditional Indian music with influence of western music, bringing out the best of efficacy in the traditional music towards the end. The film had until then a less-known actor J.V. Somayajulu in the lead, but it broke many commercial records by running for over one year in cinemas.
Films with social issues

Viswanath has made many films dealing with a wide range of human and social issues: Saptapadi, Sirivennela, Sutradharulu\', Subhalekha, Shrutilayalu, Subhasankalpam, Aapadbandhavudu, Swayam krushi, and Swarnakamalam have lead characters representing different strata of society, meticulously etched to suit the larger picture.

In Saptapadi, he decries the evils of untouchability and the caste system. In Subhodayam and Swayam Krushi he emphasizes the dignity and respectability of manual labor. In Subhalekha, he deals, in a humorous way, with the dowry system — one of the major evils in today\'s society. While Sutradharulu urges present-day society to recognize the need to adopt the ideals of non-violence, Swati Kiranam depicts the harm that can be caused by the basic instincts of envy and anger in a man, however accomplished he may be.

In spite of the nature of these subjects, they are presented in a subtle manner with an imaginative story line, with just the right amount of emphasis on the intended message. Yet Viswanath\'s films were never offbeat cinema but wholesome entertainers those elevated the lead actors\' image. He is a director with social-conscious mind and who believes cinema can bring out desirable changes in society if presented in a format liked by a cross section of audience.

Poornodaya Creations contributed to K. Viswanath\'s dreams of making meaningful films. Sri. E NageswaraRao firmly stood behind and encouraged K. Viswanath to make films with Telugu nativity that have real characters with whom audiences can associate with.

Poornodaya produced some of not just the commercial hits but milestone films of Viswanath\'s directional ventures thereby richly contributing to Tollywood like Sankarabharanam, Swatimutyam, Saagarasangamam, Sutradharulu, Aapadbandhavudu. So we fondly remember Telugu films not just for formula ones with typical stereotype song-dance-fight.

In 1995, Viswanath ventured into mainstream acting. His first film as an actor was Subha Sankalpam. Later on he did many movies such as Swarabhishekam which he himself directed and acted and other movies like Pandurangadu, Narasimha Naidu, Lakshmi Narasimha, Seemasimham, Santosham, Tagore, Aadavari Matalaku Arthale Verule and Tamil films like Kuruthipunal, Kakkai Chiraginile, Mugavari, Bhagavathy, Pudiya Geethai, Yaradi Nee Mohini, and Rajapattai. He is playing a role in Siva Narayna Teertha in TTD\'s Sri Venkateswara Bhakthi Channel (SVBC). He also plays in serials like Chellamey which is the owner of an orphanage.
Other work

Viswanath has given advertisements to GRT Jewellers.

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