Personal details of Music Director Hamsalekha
Became a thorough professional with the movie Nattukku Oru Nallavan(1991).
5.80 in Feet Inches
Full Biography of Music-director Hamsalekha
Hamsalekha (born Govindaraju Gangaraju on 23 June 1951) is an Indian film composer and a songwriter who works in South Indian cinema, predominantly in the Kannada film industry since the late 1980s. He is also a screenplay writer, dialogue writer, instrumentalist and a conductor. Composed and written for over 300 feature films.
Hamsalekha is usually referred to by the title Naadha Brahma (English: The Brahma of Music) who is considered to be the major cause for the change in the music composing and lyric writing style which would appeal much to the younger generation.He integrated folk and introduced western musical sensibilities into the mainstream cinema. He is also accredited for introducing many musical talents (singers, composers and lyricists) to the industry.
Hamsalekha has won one National Film Awards and six Filmfare Awards in the Best Music Director Category; seven Karnataka State Film Awards - four for music direction and three for lyrics - and is a recipient of honorary doctorate, conferred by the Bangalore University.
Hamsalekha was born Govindaraju Gangaraju in Mysore, India. After his studies, he was employed in his father's printing press and subsequently joined his brother Balakrishna's orchestra group.He had a huge flair for writing poetry and forming a tune for his works. He renamed himself as "Hamsalekhani" since he always used to write with a "Swan"(Kannada : Hamsa) brand pen. Later, his teacher modified his name as "Hamsalekha".
He was introduced into feature films by director M. N. Prasad, who provided an opportunity to write a song for the film Triveni (1973). The song "Neena Bhagavantha" was his first release picturised on actor Uday Kumar. His debut film as a musician was the 1981 unreleased film Rahuchandra. Officially, his cinema career started as a dialogue and lyric writer for the film Naanu Nanna Hendthi (1985). Later his popularity soared only after his association with actor-director Ravichandran. Premaloka, released in 1987, brought them together for a collaboration that would endure for over 12 years.
Hamsalekha is married to Latha who was a playback singer in the 1990s. The couple have a son named Alankar and a daughter named Nandini. Alankar is associated with films as an actor and musician. Few of his released and unreleased movies are Sugghi, Tapori and Roja. Nandini began her playback singing career with the film Sixer (2006).
After working on Premaloka, Hamsalekha became one of the most prolific music directors in Kannada film, with many hits. He made occasional use of many genres of music, including Western, pop, rock, hip hop, Indian classical, folk, ghazals, Sufi, and item songs.
"Chandakinta Chanda", a ghazal he composed for the film Sparsha, was a major hit. He has created songs ranging from the philosophical ("Le Le Marula" in Shaapa, a film whose story he wrote himself) to the naughty ("Kaayi Kaayi Nuggekaayi Mahimege" in Halli Maestru), the patriotic ("Huttidhare Kannada Nadalli Hutta Bekku" in Rajkumar's Aakasmika, a song which has become an unofficial anthem of Karnataka) and love songs ("Ele Hombisile..." in Halunda Tavaru).
He composed the background score for one movie using a single instrument and made the music for Kona Eedaite with no instruments at all. His music in the film Hagalu Vesha had a rustic and folk feel without the use of synthetic sounds. His music in the 2010 movie Naanu Nanna Kanasu was appreciated by critics as well as audiences.He also composed for the National Award winning movie Puttakkana Highway in 2011.
The melodic structure of his songs demand considerable vocal virtuosity, and have found expressive platform amongst some of India's respected vocalists and playback singers, such as Dr. Rajkumar, P. B. Sreenivas, P. Susheela, K. J. Yesudas, S. P. Balasubrahmanyam, Vani Jairam, S. Janaki, K. S. Chithra, Kavita Krishnamurthy, Manjula Gururaj, Sonu Nigam, Hariharan and Shreya Ghoshal with majority of the songs recorded by S. P. Balasubrahmanyam, S. Janaki and K. S. Chithra. He recorded some of the rare and distinct voices like M. Balamuralikrishna for a song in Muthina Haara (1990), C. Ashwath for Hoovu Hannu (1993) and Pankaj Udhas for Sparsha (2001).
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